Carah Charmaine
Communications & Media studies | feminist | Curious | Wanderlust | UOW Grad
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About Me
First Year
BCM110
Complex imagery: A reference to the Stolen Generation.
Beyoncé, Does she matter? Yes, no, maybe?
Bring them here: Protesting Australia’s refugee policy.
BCM111
Korean Cinema: Train to Buscan.
My experience living on campus: International Students.
Globalisation: Technoscape and Wentworth
BCM112
Online Presence: The way we frame ourselves.
Trajectories of convergence III: Facebook and it’s hardware.
Transmedia Stories: Another Prison story.
Trajectories of convergence II: Bieber and Intellectual property.
Meme Warfare: Trump & Pepe.
Power of Networking: Cliffhangers/Wentworth and Networking in Today’s Media
Evolution: VCR’s in the torrent era.
A Glitch in the Media: #Metoo Movement.
“Medium is the Message”?
BCM113
Legal explainer: Defamation Case: Rebel Wilson v Bauer Media.
MEDA101
Assessment 1: Still image (Remoscope) project
Assessment 2: Sound Project
Assessment 3: Water Falls.
Second Year
BCM206
BCM212
Reflecting on my Research Project.
Project Design and Management
Research Proposal: Non-binary gender identities at UOW
BCM241
The Binge-watching era.
Always the People’s Princess
Nana Talks Television.
Assessment 2: Reflecting on my reflection
BCM289
Eurovision, Ideologies & the LGBTI community.
The translation of Comedy…
Reality vs Documentary: MTV’s Teen Mom.
Third Year
BCM312
The Politician: transgender issues under the Trump Administration.
LGBTQIA+ People in the Military: Obama vs. Trump
BCM320
Furie: A tigress & her cub.
Love For Sale: Gender Representation & Self Discovery.
Cake: Have it and eat it to?
Hi Score Girl: Japanese anime.
The Rise of the Female Warrior: Autoethnographic analysis of Chinese Cinema
Digital Artifact: Reflection Report.
BCM313
The problem is the problem: A Narrative Reflection
Narrative Interview.
BCM313: The Final Reflection.
BCM322
AI WEIWEI: THE INTERVENTIONIST.
Ai Weiwei | Interventionist | Final Assessment.
BCM331
The Assumptions, the Stereotypes and the Funding of the Australian Film Industry.
Pinhole camera image
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Carah Charmaine 